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Focal Ratio: as light passes through a glass lenses it is refracted, gradually bent by one lens so that it is no longer a parallel beam of light coming in from the distance but is tapering to a point within the telescope optical tube. As light passes through the first lens element it is again bent slightly by the air in the space between the lenses; note how stars twinkle as light passes through moving air layers of varying density. Then the light passes through the second element and is bent yet again. So light has to deal with four surfaces and an air space, in addition to passing through two elements of glass (Crown and Flint). The steepness of the curves of the glass impact the properties at the image plane, the point of focus. The steeper the glass curves are then issues can develop including curvature of field, spherical aberration where light from the edge of the lens may not come to focus at the same plane as light from near the center. There are modern techniques to deal with these issues (improved glass types, computer aided production of complex even aspheric curves, etc.) but up into the 1970s lens makers preferred to keep the lens curves spherical and able to acclimate to temperature changes. This was accomplished by using thinner lenses with shallower curves thus resulting in longer focal ratios - and very long telescope tubes!
The Nihon Seiko lenses are so smoothly figured and polished to meet the nominal prescription that the final degree of spherical aberration of these Nihon Seiko achromatic lenses is quite good so visual images appear sharp and clear so any residual false color is not that problematic to the novice observer.
This is demonstrated when you look to the uncoated glass window pane of a door or of a display case for example, there is enough light reflected back at you so that you can recognize your own image and that of the surroundings. Furthermore, the cumulative effects of losses per surface can cause dramatic reductions in what can be observed of the fainter objects in particular.
AR Coatings Development: prior to 1935 all refractive lenses were made with no protective or anti-reflection treatments, the bare glass was exposed to the air or cemented to other lens components. The smoothly finished clean surface of a transparent material, glass or plastics, can reflect substantial incoming light. The light reflected depends on the properties of the material, the angle of the light source to that material (angle of incidence), and the angle of the observer to the surface, but this loss may be anywhere between four to about sixteen percent per surface. Consider what you see when you walk by a window pane? Your reflection. There is enough light reflected off that glass surface so that you can discern the image. The same thing was happening in telescopes, eyepieces, camera lenses - but worse. Since optical instruments and lenses consist of multiple elements of glass, there was the tendency not only to reflect light off the first lens surface but also to reflect light back and forth between uncoated air-spaced elements in the system. When multiple surfaces of glass are lined up, one behind the other such as in a telescope doublet or triplet lens or in an eyepiece, then these reflections tend to multiply as they reflect back and forth between each surface each slightly out of phase with the other to reduce contrast. This not only decreases contrast and overall light throughput, but reflections can cause a ghost or second image to appear. The observer would be likely to experience the effects of these issues when observing a star cluster for example where one or more faint stars may appear in the field where there would otherwise be none, or when observing a planet then the contrast and color saturation may be diminished. The result of treating a lens surface with an antireflection coating is to decrease flare and unwanted stray reflections, thereby reducing the potential of loss of contrast for an observed image.
Dr. Alexander Smakula (b. 9 Sep. 1900, d. 17 May 1983) led the team at the Carl Zeiss AG company at Jena that developed T-optic, the first anti-reflection coatings process devised for lenses. This was patented on 1 Nov. 1935 but kept a military secret throughout the following year. The first generations were a purplish tinted microns-thin layers of magnesium fluoride (MgF2) a metallic salt. When precisely applied in a vacuum chamber to the lens surface this reduces the amount of light reflecting off of a glass surface and thereby increases cumulative light throughput. These coating reduce undesirable reflections of light between glass elements thus increasing contrast and reducing the potential for ghost images. This was a noteworthy achievement in optics, and it kept Zeiss camera lenses and more sophisticated optics at the forefront of technology in the 1930s. Initially only the more critical optics were treated, some of these are marked T for transparenz. Over time even optical lens components of devices intended for routine uses (eyeglasses, binoculars, etc.) were coated.
Antireflection Coatings Of Nihon Seiko: the pre-war Nihon Seiko amateur telescopes predate the development of the MgF2 coatings, so when looking into the lens one can see the whitish reflections clearly. During the course of production and spanning the the first thirty-five years or so after the war, Nihon Seiko specified every completed air spaced lens element was to be treated with Magnesium fluoride (MgF2) antireflection coating process, sometimes termed quarter-wave coating, to improve light throughput and to reduce the possibility of ghost images. The microns-thin single layer antireflection coating of magnesium fluoride coating presents with a purplish tint, this can be observed by careful inspection of telescope lenses as well as on their eyepieces too. Other components that incorporate refractive air spaced elements, including the finder, the glass prism inside the UNIHEX or DEUTRON and that in the Star Diagonal for example, will feature AR coatings. This is indicated in some of their advertising and in other factory literature by the mention of lenses fully coated. The objective lenses of the late production telescopes featured slightly improved multilayer antireflection coatings, usually presenting with a greenish tint. The long Dew Shield blocks out much of the stray light that can originate from the side (off-axis) of the objective lens, while the interior of the telescope optical tube and of each eyepiece barrel, and other in-line components are painted anti-reflection black.
The difference in transmission between the magnesium fluoride and the later multi-coating is not as significant as that between an uncoated and a single coated lens, though in more complicated lenses with many lenses in line (more complex eyepieces, etc.) then the benefits can be more apparent. The AR coatings subdue undesired reflections, otherwise it was possible to have one brighter star reflect back and forth between eyepiece elements thus giving the misleading appearance as though there were other stars in the field of view. The curves of these lenses are so subtle that ghosting could only rarely become a concern in practice.
The OTA Mechanical Aspects - This Is What A Refractor Should Look Like.
The optical tube assemblies of the Nihon Seiko telescopes, going back at least to the 1930s, are fully constructed of rolled metal with cast focuser and front cells. The components have been painted in the traditional color schemes of black and white. Some very early examples with brass focusers for example may have left the factory in their natural finish. But the Nihon Seiko telescopes we usually see have a white painted optical tube with black painted front and rear cell, and focuser castings. The interior of the optical tube assembly from the inside of the slip-on Dew Shield, down the length of the baffled interior and focuser along with the provided extension tubes were painted with a flat black paint. This interior treatment contributes to the high contrast of these systems, systems where the background of space might appear as black as the blackest velour. The black dust cap (lens cover) slips onto the open Dew Shield, and this bears the UNITRON trademark in white on older models or has UNITRON molded into the front on later production models. Our 3 inch telescope and its 2.4 inch photo guide telescope covers have the embossed UNITRON.
The long focal ratio and precision machining of the optical tube and lens cell make it a fairly simple matter to assemble the mechanical components, install the lens, and have it be suitably collimated at the factory. Thus the smaller 60mm telescopes have no push pull lens cell or other means to adjust the lens alignment to the tube. The larger telescopes including our 3 and 4 inch models do feature a collimate able lens cell; this is also desirable because it facilitates removal of the objective lens for cleaning or transport and for precise installation.
The optical tubes of the early production small telescopes were bolted directly onto the mount saddle; this can be seen in the advertisement from 1952 shown above. These early production telescopes can be distinguished from later production (about 1955 and later) where the telescopes are attached onto the mount by means of detachable hinged mounting collar. Having mounting rings or a collar allows the user to loosen the collar enough to slide the OTA back and forth to compensate for changes of payload, this balances the instrument on the mount and results in smoother movement and less risk of damage if a clutch is accidentally loosened. The Unitron Model 142 in our collection employs the mounting collar.
Nihon Seiko sold telescope components to third parties too. One of the better known examples are the pale blue painted optical tube assemblies (OTA) sold by Don Yeiers Brandon Company in the mid 1980s. These 5 inch Brandon telescopes incorporate an f/8 standard Christen Triplet Apochromat objective lens (yes made by Astro-Physics Co.) mated to a shortened Nihon Seiko 5 inch telescope optical tube with the 2 inch focuser.
The Focuser: the De-Luxe Focuser was provided as standard equipment on the Model 132, or this could be purchased separately as an upgrade for other smaller Unitron telescopes or by telescope-making amateurs for their project.
The De-Luxe Focuser is built upon a body made of cast aluminum and with a diagonal-cut rack and pinion drawtube arrangement that is smooth when clean and provides 24.15mm of travel. Because of the limited focus travel the set included an 36.2mm (1.4 inch) diameter focusing sleeve, this is an extension section to be pulled out of the drawtube as needed. At the tip of the focusing sleeve is a friction sleeve into which 0.965 inch diameter eyepiece could be inserted. The friction sleeve could be replaced with one to accept 1.25 inch sleeve. Or the entire drawtube was removed to accept the UNIHEX with its own provided drawtube. The focuser body is painted black, and tastefully engraved with the engraving inlaid with white paint.
But to reach focus could be tedious since the focuser drawtube alone could not provide enough extension to accommodate as broad a range of accessories as were offered for these telescopes. So one needed to loosen the clamp at the end of the focuser drawtube (without letting the clamp fall off), then insert the appropriate focusing sleeve, then slide the focusing sleeve in or out of the drawtube and lock it in place (after you find the clamp that fell off) so that the accessory could then be attached and drawn in or out to reach focus by turning the pinion hand knob.
On the earlier production smaller telescopes, including our 2.4 inch Unitron, there is no drawtube lock provided. There is no way to quickly adjust the tension on the drawtube or the amount of effort needed to turn the pinion control knob. Most of these telescopes sold for astronomy were shipped with the smallest model of the UNIHEX, and this accessory alone adds some 3/4 lbs. (334 g) of pull on the drawtube, adding the eyepieces adds somewhat more. So one needs to rely on having the focuser pinion tension set so that it does not allow the drawtube to slide back (drawing the image out of focus) when pulled upon by heavy loads. The De-Luxe focuser incorporates a provision for locking the focus at any setting; a must for astrophotography, particularly when used with a heavy camera attached. The lack of a drawtube lock can be a deal breaker for anyone seeking to buy a smaller Unitron for astrophotography, so look for a focuser that incorporate the focus lock. Interestingly too, many of the smaller optical tubes packaged as photoguide telescopes lack any drawtube locking mechanism.
The focus control knobs of these telescopes were originally precision machined out of aluminum alloy, then anodized into a natural metal finish. However, between 1959 and 1961 Nihon Seiko transitioned their telescopes models over to attractive yet still durable black plastic knobs.
In the 1950s it became common to hear the term “Made In Japan” being associated in a derogatory way with products exported from Japan since many items originating from there early after the war were poorly made or inconsistent. In an effort to promote and improve Japanese made products for export the government established trade groups to police manufacturers of goods for export; those manufacturers who complied with the quality and consistency requirements of the association could have their products bear an approval certificate or sticker. There were optical police too, so the better telescope manufacturers of Japan were affiliated with the Telescope Inspection Institute, hence the focuser of most telescopes made from the 1960s into the early 1980s may bear a sticker reading either “JTII̶a; or “Passed, Japan Telescope Inspection Institute”. The latter is the sticker affixed to the original focuser of our telescope too.
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Above Left: De-Luxe Focuser and Heavy Coupling of the production Unitron Model 132 telescopes, shown on the 4 inch exhibited at Company Seven (77,603 bytes).
Note the stick-on Unitron label, this is as delivered in Europe on our late production Model 132 telescope. Shown with the 90-degree Star Diagonal (Zenith Prism).
Click on image to see enlarged view (233,368 bytes)
Above Right: De-Luxe Focuser, ordered by the original owner and installed by him onto our Model 142 telescope, shown with drawtube extended and with the extension installed.
Note both setscrew locks. This is the type of focuser provided with the Unitron Model 145 telescopes (60,799 bytes).
Click on image to see enlarged view (213,237 bytes)
One final observation; when a customer ordered an upgrade focuser from Unitron then it was not always guaranteed that the focuser body would have the telescope information engraved. The original owner of this Model 142 ordered the upgrade focuser and received one with no telescope OTA information, hence unlike the original focuser shown above right that is labeled "D 75mm F 1200mm", while the De-Luxe focuser is only engraved with the UNITRON name.
Finder Telescope: most telescopes that are if a comparatively high magnification design are furnished with a smaller, wide field of view auxiliary telescope that is often termed a finder because it helps the operator to find the objects of study and center them in the main telescope. These 4 inch refractors were originally furnished with one 10x 42mm aperture finder telescope, we measured ours as 10x 40mm. This is built on an air-spaced doublet lens, fully Mgfl antireflection coated, and with a 0.965 inch diameter crosshair reticle eyepiece; focus is adjusted by sliding the eyepiece in our out. The finder assembly is attached to the main telescope barrel by two brackets bolted onto the tube wall. With the 4 inch f/15 telescopes, even with their widest field of view 2 inch diameter eyepieces, not being able to see any more than about 1.5 degrees field of view (about three diameters of the Moon), the finder is an essential aid to point the main telescope onto the target quickly. If this telescope had been used more often then the original owner of this telescope might have come to realize, that particularly when operating with a German Equatorial style mount, it is helpful to have at least one additional Finder telescope attached along the area opposite of the original finder.
Each cast aluminum finder bracket has three support screws used to tip and tilt the finder so that it is aligned parallel to the line of sight of the main telescope. To focus the finder pointed the telescope onto an easy to find distant object, while looking through the finder eyepiece rotate the eyepiece to focus the dual line crosshairs. Finally, focus the finder onto the distant object by pushing in or pulling out the eyepiece and drawtube assembly to reach focus.
Mount Head and Tripod: among the attractive aspects of the entire product line was the value they provided with their attention to precision, rigidity, and appearance in the design of the mounts that support the telescope optical tube assembly. In these areas the Nihon Seiko products stood alone for decades. Nihon Seiko made German Equatorial Mounts and Altazimuth Mounts so most telescopes were offered in the customers choice of either mount. The mount heads are built upon machined aluminum castings that incorporated finely crafted roller bearings, worm and main gears, and other components of stainless steel. Customer who preferred a telescope dedicated to astronomy would not only have the choice of the telescope on a German Equatorial Mount, but also had the choice of more sophisticated Photographic Equatorial ensembles. The larger telescopes can barely be accommodated, even for static display without special consideration of their height. An even more impressive memory is seeing a large Unitron telescope set up and with an amazing array of finder/guide/auxiliary telescopes attached to (almost smothering) the primary telescope.
Right: Unitron Model 142 3 inch Mount Head Right Ascension axis main and worm gears set, roller bearings, shaft, and other components (49,348 bytes).
Competing systems then marketed to the consumer tended to incorporate less finely made gears sets, fewer precision bearings (if any at all), and their tripods tended to lack the rigidity of the products. While the Nihon Seiko mounts incorporated fine geared smooth controls, precise bearings, and clutches to allow precise manual control motions (up or down, left or right) of the mounts. One could set up the Nihon Seiko mount quickly, then track a planet across sky observing at high magnifications smoothly and with no jitter or point the telescope onto a distant ship and follow it across the horizon.
The equatorial telescopes were offered with a sturdy and attractive wood field tripod, these are fixed in their angle of leg spread. The tripod provided with the mounts made to support the telescopes of up to 3 inch were articulated, made to fold about in half for more compact stowage. The larger 4 and 5 inch telescopes were offered with the choice of either the fixed height wood field tripod or with a metal pier for permanent installations; these legs too were provided with wood storage cases and could rival a telescope case in length overall. Later in production the tripod made to support some of late production 4 inch telescopes was made to fold in half too, similar to the storage arrangement of the smaller 3 inch tripods. The folding legs on a 4 inch Equatorial set are uncommon, this is another interesting aspect of the Model 132 selected for exhibit at Company Seven. The 6 inch and larger telescopes mounts were offered only with the metal pier, there was no field tripod offered as they were not likely to be transported about.
For the customer who intended to use the telescope primarily for terrestrial applications and for casual visual astronomy then the altazimuth mount suffices. Furthermore, the altazimuth mount is simpler to set up and a less costly proposition. The altazimuth mounts were made available only with a matched portable wood field tripod. The wood tripod was intended to be folded quickly with the lower section rotating about the hinge at the middle of the leg, then rotating the lower section to store it neatly in between the upper leg spans. When extended the legs were supported in their proper disposition by means of a metal brace attached to the top of the lower section of each leg.
The mounts included with the Model 132 4 inch refractor and with our Model 142 3 inch refractor telescope set are a German Equatorial mount, each with a wood field tripod. Some of the mechanical details include the provided Setting Circles similarly provided with each mount, and the Clock Drive option. Shown below are details of our 3 inch model:
Right Ascension Setting Circle: Resolution to 1 Arc Minute |
Declination Setting Circle: Resolution to 5 Arc Minute. Note the Decl. Axis lock/tensioning nut at the bottom, just above the Counterweight Shaft locking nut |
Clock Drive Motor, Linkage and Support Tray
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Above: Unitron Model 142 mount head details as exhibited at Company Seven; even after decades it inspires confidence and pride of ownership.
Click on images to see enlarged views (in order 187,530 then 185,918 and 199,956 bytes).
Both German Equatorial Mounts made for the 3 inch and for the 4 inch telescopes models incorporate Setting Circles with verniers. The Right Ascension setting circle that is engraved with the twenty-four hours subdivided with units in increments of ten minutes each, this can be read to an accuracy of one minute with the vernier. The Declination Setting Circle is graduated in degrees from 0 to 90 and engraved with 2 degree increments, this can be read to 5 minute accuracy with the vernier.
Assembly of the Mount and Telescope:
Extend the tripod leg extension sections, then attach the legs brace/accessory tray to keep the legs from accidentally spreading out under load. The tips of the tripod legs are of sharp and pointed steel, these will readily dig into the ground and stand fast. However, when setting up on very soft or wet ground Company Seven recommends placing a disc of plywood on the ground and under each leg tip to spread the load around a larger area. This will reduce the likelihood of the tripod settling in the ground, or even freezing into mud if the temperature drops through the observing session. For display indoors an optional caster pad under each tripod leg tip can protect your flooring.
We recommend setting up on level ground, alternatively you may put some block(s) under one or more legs to better level the set. Many owners employ a bubble level set onto or permanently affixed to the mount head, this to help judge when leveling. Next attach the mount head onto the tripod.
The Counterweight Shaft of the Unitron 132 mount head is a thirteen (13) inch long fully machined alloy bar, threaded ⅝ inch - 11 TPI (thread per inch) along its entire length. Of this about two inches threads into the female threaded socket of the mount head Declination Axis, leaving about nine inches extending from the mount to accommodate thread-on or later production slip-on counterweights. Thread the Counterweight Shaft onto the mount, then secure the shaft in place by tightening the sole ⅝ inch - 11 nut against the Declination Shaft housing threads, this is at the point where the shaft enters the mount socket. Then thread or slide the 4 kg. (8 lbs. 15 oz.) counterweight onto the shaft and secure it in place with a nut above and below leaving the mount in a shaft-heavy configuration, at least to start off. Now the mount is ready for the telescope. This type of threaded rod is sold at most hardware stores, so it a simple matter to replace the shaft should you come across an incomplete Unitron mount. Even if you lack the original Unitron counterweight(s) you could drill a third-party counterweight to fit the shaft, then attach ⅝ inch - 11 nuts and washers above and below the slide-on counterweight.
Attach the telescope optical tube mounting collar onto the mount saddle (the topmost flat section of the mount), attaching this by means of two hand knobs. The telescope was set onto the collar and slid towards the front or back along the saddle until the optical tube reaches a nominal working balance point. Then swing the collar upper half down and over the telescope, secure the collar upper half to the lower half in place with the hand knob at the side of the collar.
The UNIBALANCE is a counter weight hardware set that were made to balance the telescope along its Declination Axis. The UNIBALANCE set consists of a 18-½ inch long x 0.35 inch (9 mm) diameter shaft with threaded ends that attach onto the tube brackets, this resembles those sets historically provided for many refractors including those made by Carl Zeiss Jena for example. The UNIBALANCE set is provided with one sliding 670 g. (1 lb. 7.7 oz.) counterweight that can be locked at any position along the length of the shaft, the shaft supported by a thread-in fitting mounted onto a 4 inch UNICLAMP Ring while the upper end of the shaft slides through a perforated fitting similarly attached to a UNICLAMP. Attach the UNIBALANCE set to the optical tube since this will facilitate changing accessories on the optical tube reducing the need to loosen the optical tube mounting collar to adjust the telescope position on the saddle.
In June 2015 through the kind assistance of Mr. Albert Carcich of New Jersey, we acquired a UNIBALANCE Counterweight Set that appears as new and with original carton.
This has since been installed onto Company Sevens Model 132 telescope exhibit.
Next loosen the clutches for Right Ascension and balance the telescope in that axis. Do the same for declination. To make fine adjustments in either axis first tighten the clutches, then turn the black hand knobs on either side of the rear of the mount head. The Right Ascension has a worm gear mechanism, so one can move the telescope throughout the RA axis with no interruptions, though care is taken to avoid binding the lengthy optical tube against the tripod. The Declination manual geared controls are spring loaded tangent style drives, and so the mount can only be moved so far by these controls without loosening the clutches to manually reposition the telescope, an unwinding the manual geared controls before resuming the tracking. When using the smaller Unitron Alt-Ax telescopes it was a simple matter while at the eyepiece to reach forward to turn these controls to track an object, but mounts such as this and for the 4 inch and larger telescopes incorporated flexible cables or steel rods to facilitate this.
Pole Aligning The Mount:
Proper operation of a German Mount requires the Right Ascension (R.A.) axis of rotation be aligned to be parallel to the axis of the Earths rotation. To achieve this at locations that you will frequent, Company Seven recommends you first level the tripod. By leveling when you first Pole Align the mount head you will not need to change the latitude setting of the mount again unless you travel north or south to other locations.
Loosen the azimuth (left to right, or longitudinal) adjustment clamp of the Nihon Seiko mount head assembly, this permits the user to smoothly rotate the assembly atop the field tripod and direct the mount head R.A. axis to point towards the Celestial North (or South) Pole. Then tighten this clamp. There is no fine adjustment mechanism to fine tune centering the mount in azimuth since the movement is smooth and can be refined easily enough.
Since this elevation adjustment motion involves working against gravity, the mount head is fitted with a latitude fine adjustment mechanism to attain a more precise pole alignment. The latitude adjustment mechanism consists of a hardened stainless steel threaded worm (male) and hexagonal sleeve (female), similar to a turnbuckle, to drive the mount head tilt up or down precisely.
Right: Model 142/145 German Mount of our exhibited Unitron 3 inch refractor, close up of the latitude adjustment mechanism (66,794 bytes). The installed set shown and circled in green to accommodate operation at latitudes of between approximately 26 to 40 degrees, the shorter mechanism shown removed at right is for higher latitudes of Approx. 50 degrees.
Click on image to see enlarged view (183,869 bytes).
Adjusting the mount head tilt up or down when Pole Aligning involves first making certain the large stainless steel bolt that joins the Right Ascension axis housing to the mount head base post is adjusted just enough so that this joint may be articulated by hand but that this is not too loose either. When the mount head left the Nihon Seiko factory the nominal tensioning of this bolt would have been set. But if the mount had been used by someone doing astrophotography, or if used by someone not familiar with proper technique, then this bolt may have been tightened too tight to allow changing the latitude.
Next turn the latitude adjustment mechanism, this control can be turned by hand and is easier to do if while turning the hexagonal sleeve with one hand you gently support the telescope with your other hand doing so in a manner to reduce the load on the mount elevation bearing. The latitude adjustment mechanism has only a limited span of travel, this is dependent on the lengths of the two threaded components. So when the mount was sold new the distributor provided the appropriate mechanism for the users intended latitude. This was fine if you lived in one latitude range such as along the northern states of the USA or in the United Kingdom for example. But if you relocated to Florida for example, then you would need to change the assembly with one that is suitable for the lower latitude.
Left: Model 132 German Mount of our exhibited Unitron 4 inch refractor demonstrating latitude adjustment range as sold new for use in northern latitudes of Europe (84,622 bytes). On the Pole Axis is our Suunto Inclinometer to measure the range of latitude, this indicates a working range of about 42 to 54 degrees.
Click on image to see enlarged view (247,749 bytes).
If you acquire a mount that is lacking the correct Nihon Seiko latitude adjustment components, a suitable replacement may be fabricated by a machinist with some guidance and using the original as a conceptual model. Alternatively one or two tripod legs can be shimmed with a wedge, a wood block can suffice, to allow the mount head to reach the optimum tilt in latitude - of course insure this is not so excessive a tilt that the set becomes unstable.
The latitude adjustment mechanism is not designed for use near the Equator, nor could the mount be aligned in Arctic regions owing to interference between the Right Ascension setting circle and the mount head post.
Finally, the Right Ascension Setting Circle is indexed either by pointing the telescope to a stars of and dialing in its coordinate, or by other techniques. The Declination Setting Circle need be set only once, it should not change orientation on its own but if this had been tampered with then this too can be set in several ways including the use of a level if the local latitude is known or it can be set by pointing the telescope to a known star.
Owing to the long length of the telescopes and fixed height of the tripod legs, people learned to work around the telescope standing when looking towards the horizon and possibly sitting on a low seat when observing objects overhead. This posed no major issues for most people and children when using telescopes of 3 inch and smaller. But by the time the design was scaled up to a 4 inch model, then when observing objects low in the distance shorter people would need to use a short step ladder to reach the eyepiece. But that is all part of the fun of having such a long optical tube to work around.
Eyepieces: a telescope is a light funnel that gathers light and forms one image; eyepieces are basically a magnifying lenses that are attached onto the focuser of a telescope to enlarge that image. The working magnification, numerous qualities of the image (field of view, clarity, degree of chromatism, etc.), and the comfort of the user while observing (eye relief) are determined not only by the qualities of the telescope but also of the eyepiece.
The eyepieces designs provided by Unitron included the Ramsden (sometimes termed Modified Achromatic), a design formulated in 1782 by scientific instrument maker Jesse Ramsden. The Kellner (designed b Carl Kellner in 1849) is another popular choice, basically an improved Ramsden. Both the Ramsden and Kellner are economical general purpose eyepieces that when made well satisfy most novices however, the Ramsden introduced perceptible false color that some people may wrongly attribute to originating in the telescope objective lens. Given the f/15 to f/16 focal ratios of the Unitron telescopes makes less demands of an eyepiece than faster designs, these eyepieces were suitable for most amateurs. For the more demanding clients there were optional Orthoscopic (design devised by Ernst Abbe of Carl Zeiss in 1880) eyepieces available too. The Orthoscopic is highly regarded for its uniformity of magnification (lacking distortion) across the entire field of view when used with systems of f/7 and longer. When made well the Orthoscopic provides superb contrast and definition thereby making it an optimum choice for high resolution applications including observing the planets, double stars, the Moon, etc.
Right: One of the more interesting eyepieces ever distributed by Nihon Seiko in profile (20,747 bytes). From design in Company Sevens Archives.
The UNITRON 1.6, 2.4, and 3 inch telescopes could accept interchangeable eyepieces of either 0.965 or 1.25 inch in diameter, although the standard four eyepieces provided with the set were 0.965. The 0.965 inch standard was referred to as the “Japanese” standard in some literature however, this standard was typical for telescopes made in the late 19th and early 20th centuries and predated Japans involvement in optics.
When originally introduced the 2.4 inch altazimuth telescopes were sold for $125 and furnished with a 9mm and 18mm 0.965 inch diameter eyepieces. The standard drawtube tip fitting would accommodate 0.965 accessories (diagonal, etc.). By 1956 most of the telescope sets, including the 3 inch model shown here, were provided with a set of four eyepieces as standard equipment: 9mm Achromatized Symmetrical, 12.5mm Kellner, 18mm Kellner, and 25mm Huygens. Telescopes equipped (as this one) with the UNIHEX or with a 1.25" diagonal would accept one optional 1.25 inch eyepiece. By 1963 Unitron included a new Achromatic Amplifier with the telescopes, this is a negative or Barlow lens that could be attached onto the barrel of the UNIHEX or the standard extension sleeve. When installed the Achromatic Amplifier increased the effective focal length of the telescope by a factor of about 2x, thus doubling the magnification of each eyepiece. The end of the eyepiece machined 0.965 and 1.25 inch diameter barrels are threaded to accept optional thread-on filters; though Unitron catalogs did not list any others than the Sun and Moon filters, many retailers sold color and other filters that complemented the telescope.
By the late 1980s most new amateur telescopes, even introductory models, were built to accept at least 1.25 inch diameter eyepieces. Companies including Celestron that offered “Cometron” series telescopes with 0.965 targeted to the entry level consumer found the American customer and reviewers showed disdain for the old reliable standard in favor of the larger 1.25 inch eyepieces. The more advanced amateur and professional telescopes (not that too many professional astronomers ever look through a telescope anymore) incorporate focusers that can accept the even larger 2 inch diameter eyepieces. The attraction of the larger and larger eyepieces has to do with: 1. the potential for wider fields of view, and 2. improved eye relief.
In addition to magnification and quality of the image presented, the eyepiece determines the actual field of view; the area that can be seen. The field of view most accurately can be calculated when knowing diameter of the opening within the eyepiece barrel where the telescope image plane and eyepiece planes meet (Field Stop). Company Sevens measurements of Unitron eyepieces show how the differences in maximum area that can be observed compare among the three popular eyepiece standards:
- 2 inch diameter eyepiece can show as much as 2.9x the area seen in a 1.25 inch eyepiece, or 5x the area of a 0.965 eyepiece
- 1.25 inch diameter eyepiece shows 1.7x the area of a 0.965 inch eyepiece
- 0.965 inch eyepieces can show almost two thirds the area that can be seen in 1.25, and one fifth the area that can be seen in 2 inch eyepieces
As the industry changed to 1.25 eyepieces the sources of 0.965 eyepieces (Carton Optical Industries Ltd. for example) gradually discontinued production of the older standard. By this time telescope sales at Unitron were winding down anyway so there was no need to source new stock of the 0.965 eyepieces. By the mid 1980s Unitron offered a greater selection of 1.25 inch diameter eyepieces than they offered 0.965 inch models.
Optional eyepieces in the Unitron line from 1955 included: 0.965 - 4mm Orthoscopic, 0.965 - 5mm Orthoscopic, 0.965 - 6mm Orthoscopic, 0.965 - 7mm Achromatized Symmetrical, one 1.25 inch eyepiece the 40mm Kellner-Monochro*, and one 2 inch 60mm Kellner. While the provided focal lengths of the eyepieces never varied by much over the years the mix of models varied slightly, for example in most years the provided 25mm was a Kellner but later this was substituted for with a Ramsden. The offerings varied somewhat over the years but the choices for the larger telescopes in particular included 2 inch diameter eyepieces including their 60mm Kellner, the upscale 55mm Plossl and 32mm Erfle wide angle eyepieces. By 1985 the 2 inch offerings continued to show only one, the 60mm Kellner, being available. But by the mid 1980s none of these eyepieces could compete for the attentions of dedicated observers against superior and more versatile eyepieces by competitors, most notably Brandon and Clave as well as the innovative TeleVue Optics.
* this was a 1.25 inch diameter 40mm Kellner-Monochro eyepiece, because of this larger diameter barrel it could be employed on the 2.4, 3 and 4 inch telescopes only with the UNIHEX attached.
Eyepieces Offered By Unitron Exhibited at Company Seven:
Notes:
• Field of View is actual field of view as calculated for our Unitron 4 inch refractor based on our eyepiece design data and testing.
• The ER32 eyepiece was made to either slip fit into 2 inch port of a Super UNIXEX or thread-on to the Super Focuser drawtube.
• The 55 Plössl eyepiece was made to slip fit into 2 inch port of a Super UNIXEX.
• The ER32 eyepiece was made to either slip fit into 2 inch port of a Super UNIXEX or thread-on to the Super Focuser drawtube.
Make |
Model |
Dia. |
Mag. |
Design |
Field of View |
UNITRON |
MONOCHRO.40mm |
1.25" |
38X |
Mononchromat |
0.90° |
UNITRON |
# MONOCHRO.40mm |
1.25" |
38X |
Mononchromat |
0.90° |
UNITRON |
R25mm |
.965" |
60X |
Ramsden |
0.68° |
UNITRON |
K25mm |
.965" |
60X |
Kellner |
0.61° |
UNITRON |
K18mm |
.965" |
83X |
Kellner |
0.42° |
UNITRON |
K13mm |
.965" |
120X |
Kellner |
0.40° |
UNITRON |
K12.5mm |
.965" |
120X |
Kellner |
0.31° |
UNITRON |
SYM. ACH. 9mm |
.965" |
167X |
Achromatized Symmetrical |
0.23° |
UNITRON |
SYM. ACH. 7mm |
.965" |
214X |
Achromatized Symmetrical |
0.18° |
UNITRON |
OR 6mm |
.965" |
250X |
Orthoscopic |
0.15° |
UNITRON |
OR 4mm |
.965" |
375X |
Orthoscopic |
0.13° |
UNITRON |
K60 |
25X |
2" |
Kellner |
1.52° |
UNITRON |
55mm |
27X |
2" |
Plössl |
1.45° |
UNITRON |
ER32mm |
61X |
2" |
Erfle |
1.28° |
|